Jill Downen, Dust and Distance (sketch), 2011-12 Jill Downen, Dust and Distance test piece, detail, 2011-2012

Jill Downen: Dust and Distance

Feb 23, 2012 - Mar 24, 2012

Organized by Tracee W. Robertson, Gallery Director

Opening Reception
Thursday 2/23, 5-7 pm
with Gallery Talk led by Jill Downen at 6 pm
UNT Art Gallery

  • Jill Downen, Dust and Distance test piece, detail
  • Jill Downen, Dust and Distance test piece, detail
  • Jill Downen, Dust and Distance test piece, detail
  • Jill Downen, Dust and Distance test piece, detail

EXHIBITION DESCRIPTION:

Jill Downen's site-responsive sculpture installations consider the interdependent, metaphoric and physical relationships between human bodies and the spaces they build, inhabit and repair. Through the phenomena of temporality and perception, Downen sees in built spaces a prolongation of the self - of human energy, forms and decay. Her recent project, Counterparts, at the Oklahoma City Museum of Art, is described as a site of wonder. Downen's art interprets a particular space by exploring its identity. Her investigation of the UNT Art Gallery, Dust and Distance, reveals a room that "breathes between the expanse of the reflective floor and the gridded weight of the concrete ceiling." This results in a place of retreat, where body, mind and architecture intersect.

ARTIST

Jill Downen's art is a focused investigation of the symbiotic relationship between the human body and architecture expressed in temporal installations, drawings, and models. Her work envisions a place of interdependent relation between the human body and architecture, where the exchanging forces and tensions of construction, deterioration, and restoration emerge as thematic possibilities. In 2010, Downen was named a John Simon Guggenheim Memorial Foundation fellow. Significant awards include a 2009 MacDowell Colony National Endowment for the Arts Fellowship with additional support from Leon Levy Foundation and the John D. and Catherine T. MacArthur Foundation. In 2007, she was awarded a Cité International des Arts Residency, Paris, France where she first exhibited "Hybrida" an ongoing series of works on paper. Downen was selected for the 2004 Great Rivers Biennial, a grant and exhibition sponsored by Contemporary Art Museum St. Louis and the Gateway Foundation.  Downen has been invited to lecture about her work extensively, including at The Phillips Collection in Washington, D.C. and the 2007 Luce Irigaray Circle Conference on philosophy in New York.  In addition, the Pulitzer Foundation for the Arts in St. Louis has invited her participation in symposiums on modern and contemporary art. Downen maintains a studio in St. Louis, MO, and is represented by the Bruno David Gallery.  She holds a BFA from the Kansas City Art Institute and an MFA as a Danforth Scholar from Washington University. 

EVENTS

In collaboration with the Dallas Museum of Art Center for Creative Connections:

Body Building
A documentary film by Dickson Beall, highlighting the work of Jill Downen
Screening, Friday 2/17, 8:30 pm
Dallas Museum of Art, Center for Creative Connections Theater
For more information, please call 214-922-1311.

Urban Armor: Body Building with artist Jill Downen
Workshop for Families with Tweens and Teens
Saturday 2/25, 1-4 pm
$35 per family / $25 for members
Dallas Museum of Art Center for Creative Connections
1717 N Harwood Street

Join artist Jill Downen to explore the body's relationship to architecture and how we encounter space. Experience new awareness of this relationship through a presentation of Downen's art, an urban walk, sensory contact with the built environment, and a sculpture project with plaster. Class size is limited and registration is required. To register for the event, please call 214-922-1818 or visit www.tickets.DallasMuseumof Art.org. For more information call 214-922-1311. 

SPONSORS

This exhibition is made possible in part by a grant from the Texas Commission on the Arts and by support from the CVAD Visiting Artist and Scholar Series, the CVAD Core Program, and Goodmor Construction, LLC.  The installation is made possible with help from CVAD students Michael Fhurr and William Bridges, and by Downen's studio assistant Laurencia Strauss.

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